Tuesday, August 28, 2007

Louie's

To delineate
To encircle
To congratulate and
to weep.

Whenever anyone adverbalizes
uncontrollably
it always to my mind
brings the bowels,
the exploding wanton
love
of the bowels, of all the parts of you,
nether
or otherwise
even those alien and
antithetical, the hummingbird
or clockspring
that took you last Tuesday
to Louie's,

the bar I never
go to, on
the street I care always
not to see.

Louie's, where
you stood
two drinks too long, through
two too many
glasses
of wine.

I don't want you
to tell me
his name,
or at what drink it was
he paid
instead
of you,
or how
beyond
the basic
physiological
structure
his cock
worked differently
from mine.

I spend entire
evenings
considering
those differences.

Considering
a yellow
car ride,
a purple
stairwell,
bedspreads,
Tuesdays,
Louie's,
the end.

ordinarily

Ordinarily
the empty.
Ordinarily
the blank.
The finger-smudged
convex, the perfect
eyebrow, and tell me
what is
older: the shotgun
or the mouth? the heart
seen only
as a bird's nest
of ink. the realization
of one forty three,
of thirty five zygote
and egg.

"for miles the city"

for miles the city
for inches the night
for centuries the ice
for five years the fingernails,
your face

for miles the night
for miles the knife
for miles the trees
for miles your belt
for miles the question
for miles an answer,
the right

for centuries the ice, the highball, the glass

for miles the wind
for miles the thinking
for miles the sent

for miles the insinuation
for miles the grief

for miles your fingers
for miles the ringing
of the telephone

for miles the photograph
for miles the gray

for miles the ending
for miles the end

for miles the ringtone
for miles the bend

featherbound

Featherbound
Oraga
Gypsum and moss
Clevinger post

Why did I
walk away from you

I wasn't happy then
and I'm not happy now

The daylight cuts into the water
The ocean swallows the sunset
The minnow swallows the whale

Why did I
walk away from you

In a thousand blank rooms
and your breasts I can barely
remember

Transfer slips
Drink rings
Fingerprints

There used to be breathing
in the blackness
The morning
you dropped your scooter
There will be
no more omelets
There will be no more
tea

All the people here wouldn't
fill a glass of you
If I could
be anyone I'd be
the man who told you different

Why did I
walk away from you

Thursday, August 23, 2007

Twitter

1. A condition of twittering or tremulous excitement (from eager desire, fear, etc.); a state of agitation; a flutter, a tremble. Now chiefly dial.
1678 BUTLER Hud. III. I. 83 The ancient errant knights Won all their ladies' hearts in fights, And cut whole giants into fritters, To put them into amorous twitters. a1734 NORTH Exam. I. iii. §31 (1740) 141 The Attorney-General..was in a Twitter; for some of his Friends told him he would certainly be questioned for it in Parliament. 1802 G. COLMAN Poor Gentleman I. i, If I ben't all of a twitter to see my old John Harrowby again! 1825 J. NEAL Bro. Jonathan II. 151 A leap of the heart..and a sort of tingling twitter through all his blood. 1861 THACKERAY Four Georges iv. (1862) 198 In a twitter of indignation. 1869 TROLLOPE He knew, etc. xxxi, [She] was in a twitter, partly of expectation, and partly..of fear. 1869 L. M. ALCOTT Little Women vi, Beth hurried on in a twitter of suspense.
b. A suppressed laugh, a titter; a fit of laughter. dial.
1736 LEWIS Isle of Tenet Gloss. s.v. (E.D.S.), He is in a mighty twitter. 1847-78 HALLIWELL, Twitter,..(2) A fit of laughter. Kent.
2. An act or the action of twittering, as a bird; light tremulous chirping. Also transf. a sound resembling this.
1842 BROWNING Waring I. vi. 35 As pours some pigeon..her melodious cry Amid their [swallows'] barbarous twitter! 1849 W. S. MAYO Kaloolah v. (1850) 40 The hesitating twitter of the sleepy birds. 1871 BLACKIE Four Phases i. 43 A mere swallow-twitter of inarticulate jargon. 1902 J. C. SNAITH Wayfarers xvi, The ceaseless twitter of the rain on the road

Thursday, August 09, 2007

TRS-80: Cliff Evans

Saturday, July 28, 2007

march of the stanzas

It was exactly everything:
two brown arms and
the southward-pointing wheel.
The blackbird didn't
have time for your theories
and no one lived
in the concrete
but us.
Remarkably beautiful us!
And about now is the
time for a question.
Or is it?
You asked the blackbird
exactly why we bother
and the blackbird answered,
wings.

OK, for the part
about productivity,
I lied a bit. When
building the tower one
should usually strike
for up. And away! The joyous
lark and
hangover. Don't ask me
to stretch it in all directions,
to translate from the Russian
to your fears. My brain
is a puddle
of infinite depth.

I am a kitten eating cracker jacks.
a shoelace in the trees
a ruby-throated billboard
and a bite off Chekhov's inseam.

How many forevers
will I be able to see
the tree held in sunset light,
leaves bright and brushed
by the wind.
Already
it is gone.

We are out of the night.
We are arrived.

We're in
the dark days,
or so the advertisements
tell us.
Hopped up on facecream
is not the worst
way to die.
Screaming bombs! Screaming
babies!
Why can't we all scream
quietly!
Sometimes
the exclamation mark
is a wondrous
invention. I remember now
I had pledged to scream
Eureka! at least
once last night and at that
I have failed.

Last night I smashed
my lamp against the wall.
Time for a new lamp!
Time for therapy!

You pay for the privilege.
For the white flat front
of the bus.

And then into the folds of your apron
you tucked the knife.

Sunday, July 22, 2007

In the yellow-cake colored paperback in the basement
was the story of the woman double-dipped in gold paint
who died when men covered up the small of her back,
the last breathing spot.

In the thick encyclopedias layering the shelves
was the story of the Temple of Kyoto, where elves
(well, monks) painted urushiol lacquer over all gold leaf
to preserve it from thieves.

But in a lost tale a daughter in the back seat
of a van with dozens of glittering, under a blanket,
bottles, lacquered, and boxes like jacquard, of liquor--
gifts for customers,

or a heist? -- is a mess of poison ivy under the blanket
with the spirits gilded and boxes elongate;
untouchable, though not dying. Spirited
away like a scratching anti-Juliet

-- Urushiol by Ange Mlinko

many times

many times in darkness
have i listened
to the last guitar chord
bequeath itself
to the still.
many times hand on
myself have i thought
this is it, the end, no more
root beer. many
times have i ground
the ax, many times
have i wished to be
more a man.
but what else is there?
many times in the darkness
have i wished
for more darkness,
the utter kind, the
soul-sealing
box, but
that's not the kind
they make. apparently.
many times
many times
many times.

Tuesday, July 10, 2007

Our fathers have formed a poetry workshop.
They sit in a circle of disappointment over our fastballs
and wives. We thought they didn't read our stuff,
whole anthologies of poems that begin, My father never,
or those that end, and he was as silent as a carp,
or those with middles which, if you think
or the right side as a sketch, look like a paunch
or beer and worry, but secretly, with flashlights
in the woods, they've read every word and noticed
that our nine happy poems have balloons and sex
and giraffes inside, but not one dad waving hello
from the top of a hill at dusk. Theirs
is the revenge school of poety, with title like
"My Yellow Sheet Lad" and "Given Your Mother's Taste
for Vodka, I'm Pretty Sure You're Not Mine."
They're not trying to make the poems better
so much as sharper or louder, more like a fishhook
or electrocution, as a group
they overcome their individual senilities,
their complete distaste for language, how cloying
it is, how like tears it can be, and remember
every mention of their long hours at the office
or how tired they were when they came home,
when they were dragged through the door
by their shadows. I don't know why it's so hard
to write a simple and kind poem to my father, who worked,
not like a dog, dogs sleep most of the day in a ball
of wanting to chase something, but like a man, a man
with seven kids and a house to feed, whose absence
was his presence, his present, the Cheerios,
the PF Flyers, who taught me about trees,
that they're the most intricate version of standing up,
who built a grandfather clock with me so I would know
that time is a constructed thing, a passing, ticking fancy.
A bomb. A bomb that'll go off soon for him, for me,
and I notice in our fathers' poems a reciprocal dwelling
on absence, that they wonder why we disappeared
as soon as we got our licenses, why we wanted
the rocket cars, as if running away from them
to kiss girls who looked like mirrors of our mothers
wasn't fast enough, and it turns out they did
start to say something, to form the words hey
or stay, but we'd turned into a door full of sun,
into the burning leave, and were gone
before it came to them that it was all right
to shout, that they should have knocked us down
with a hand on our shoulders, they they too are mystified
by the distance men need in their love.

O my pa-pa by Bob Hicok

Sunday, July 08, 2007

From one of the books I'm reading, Half Life, by Shelley Jackson. I'd like to think she and I are related, but we probably aren't.

(background: narrator is one half of a conjoined twin, and she's talking about when she and her sister read different books together)

This left a particular legacy. I cannot reread a certain energetic tale of derring-do without a feeling of melancholy bushwhacking me in the middle of a gunfight, at just the point her sob story made her bawl. Or read a particular love scene without bursting out laughing. Every book sems to me to have a second story under its skin, a narrative not of incident but of emotion, at odds with the one on the surface. Even when, for school, we had to read the same books, I reached the sad parts with a feeling of déjà vu when she had been there a page before me; she scooped every story, except the ones I scooped first. More often, it was a matter of chuckling or weeping over a grammar book. And when we found the battered Playboy by the highway, the day before a math test, √2 made my pulse gallop, and still does.

Also, I think this is an interesting short film. As one of my friends put it when we were talking about it, this is what dying of boredom looks like (it's 13 minutes, but worth it, and you probably won't be able to look away anyway)

joanne kyger @ city lights

Saturday, July 07, 2007

Thursday, July 05, 2007

The Underdog

http://www.myspace.com/spoon

"You got no fear of the underdog.
That's why you will not survive."

Spoon, "The Underdog"

annie wilkinson



Art by Annie. More info on her site, and more pictures on flickr.

Tuesday, July 03, 2007

Monday, July 02, 2007

Sunday, July 01, 2007

edwards drive-in

the conformist by bernardo bertolucci -- a lot, not a little bit, of genius going on here. it's about the weakness of the masses, but told through one individual, the way an individual can want so bad to be part of something. it's not just political, it's sexual and funny and maybe a little bit drunk. the movie is also beautiful just to look at. my favorite movie in months.

Friday, June 29, 2007

Let's Start Digging

I have long suspected
that when you got down to it
Gomorrah
was a lot worse than Sodom.

You hear a bit about the Sodomites,
after all. They were the proud
purveyors of sodomy

But whatever they were doing in
Gomorrah was some bad shit.

God struck it down so bad
that even the bad behavior
didn’t survive in language.

Sodom got burnt &
Gomorrah got buried.

Tuesday, June 26, 2007

in response to "fake empire"

six minutes and counting

21 bus line—door jamb to curb

a panhandles puddled cement


orange juice banging against my thigh

I reached out all breathy and tired

your cool forehead, your hot cheeks

beneath a spiky Mohawk

all fawna and flora


you lie.


milk thistle tears

the glistening kind

full of pin-pricks


we waited and rocked

knees to a chest