my bed 2 A.M.
the silence my friend
is another dull tone on the line
and slowly the moon
sings another pale tune
and already already i am fine
in the dust far behind me
lies the salt of your tears
in the blue sea before me
lies the waste of my years
i thought once i'd make it
but now i know clear
that nothing will ever be mine
Saturday, November 29, 2008
Sunday, November 23, 2008
black ribbons
i left you walking half
to forever in all the barns
hands were turning mad
pulleys still upon
the doorknob i left
you even when i
looked i split
my lips.
i don't fit in much
of anywhere between
the thrall and the frame kid
socks and fingers worn
where i've used them my
intention no more than the
knobs of an old
electric.
blood tears and teeth
blood tears and teeth
blood tears and teeth
blood tears and teeth
to forever in all the barns
hands were turning mad
pulleys still upon
the doorknob i left
you even when i
looked i split
my lips.
i don't fit in much
of anywhere between
the thrall and the frame kid
socks and fingers worn
where i've used them my
intention no more than the
knobs of an old
electric.
blood tears and teeth
blood tears and teeth
blood tears and teeth
blood tears and teeth
Monday, November 17, 2008
morning on the train
(on a bookmark, my bookmark)
what is wrong
with a dog in the grass. today
the sun is on my knees.
a smile is on the garage
door. and everywhere
the monochromatic joy
of the sky. five
thousand humans move
together. air blows
because of a process
involving freon. rings
mark the hands
of the taken. when
the ground cries out what
it's missing always is
the cadence of their
boots.
with a dog in the grass. today
the sun is on my knees.
a smile is on the garage
door. and everywhere
the monochromatic joy
of the sky. five
thousand humans move
together. air blows
because of a process
involving freon. rings
mark the hands
of the taken. when
the ground cries out what
it's missing always is
the cadence of their
boots.
Sunday, November 02, 2008
the questions of your life (phase 1)
- If you had to identify yourself as composed of three different authors, who would they be?
- If your house/apartment/cardboard-box was on fire and you could grab only one item before escaping, what would it be?
- Would you rather live by the mountains or by the sea?
- What song would you like to die to? What song should play at your funeral? Are they the same song?
- What animal are you? If you want to, explain.
- What would it take to make you give up everything?
- Describe your ideal breakfast. This means more than just the food. Where are you sitting? What's the light like? What are you wearing on your feet?
- What's the last thing that made you cry? If you refuse to cry, what's the last thing that made you feel oh so very bad?
- Bestow on yourself a nickname. Don't tell anyone what it is. You may have noticed that this is not a question. Do it anyway.
- Suppose you're stuck in a weird acid flashback, in which 5 minutes of your past keeps happening over and over, an endless loop. What happens in that 5 minutes?
Monday, October 27, 2008
too sleepy for thinking too tired
to sleep. i left my parents' house
along the slash of my father's
handwriting. the basket
of my mother's worry. i set off
to the world beholden
to my imminent disaster.
and only made it Here.
now cold in the hole of this
cliffsitting cabin.
the trailworn edge of the world.
being Here is like being anywhere:
too many feet and too little blanket.
more bullshit erected
at the side of the road.
simply put:
fuck fuck fuck
fuck fuck.
when morning
breaks i will step against
the sun. write my own
selfsame letters.
foot on stone my stone.
in the message i mail
to the present i'll tell them,
don't wait.
the future is certain.
all the songbirds
eloped.
to sleep. i left my parents' house
along the slash of my father's
handwriting. the basket
of my mother's worry. i set off
to the world beholden
to my imminent disaster.
and only made it Here.
now cold in the hole of this
cliffsitting cabin.
the trailworn edge of the world.
being Here is like being anywhere:
too many feet and too little blanket.
more bullshit erected
at the side of the road.
simply put:
fuck fuck fuck
fuck fuck.
when morning
breaks i will step against
the sun. write my own
selfsame letters.
foot on stone my stone.
in the message i mail
to the present i'll tell them,
don't wait.
the future is certain.
all the songbirds
eloped.
Tuesday, October 07, 2008
Proverbs 8:1
1 Does not wisdom call out?
Does not understanding raise her voice?
2 On the heights along the way,
where the paths meet, she takes her stand;
3 beside the gates leading into the city,
at the entrances, she cries aloud:
4 "To you, O men, I call out;
I raise my voice to all mankind.
transition
Arrayed and dismayed. The lip of your metal cup. The edges of your memory. The smell of gasoline where 'Jasmine' would have been prettier. It could have all been prettier. Bent over the counter top while the unforgiving give of the vaseline. I am not saying I want it different. Would want it wearing heels. Sufficiently stilettoed through butterflies and bees. All ripped in the hitch. Then from beside the balustrade you find the smaller vital you. The you that might send you a message. With a half-perceptible pulsing it unfolds like the odor of grass. The comb at the throat. The small boat embarked upon the great waves. A mouse and a cat at the tiller. A raspy brace of sea salt. An azure dream of a deep and sighing jewel. When I snap my fingers you will awaken. When awakened inside your fingers you may snap. The last long call of a gull. That's it. You can open them. We've arrived.
Sunday, September 28, 2008
tin prayer
oh lord
of fire and
lord of blight,
lord of the light
blue dressing.
lord of mysterious skies,
crying masses
of intestinal angst.
lord of vapid footed biology.
lord of mutter and worry.
lord of bitch-
tied 'bout the kneecaps.
lord born from the imprint,
lord copied from carbon.
lord still independent
of who voices. lord of
unbroken
breads. lord who by bison, by blue, by
wrecked and half-noble knuckles.
oh lord it is for you
that i bleed a bad tartan.
it is for you
i dance a slow jig.
lord whom to holier
nothings were nowhere
never whispered,
genuflectously intoned,
the breath of the great
patella oh magnanimous sweet
unfulsome oh bloody oh
lord.
of fire and
lord of blight,
lord of the light
blue dressing.
lord of mysterious skies,
crying masses
of intestinal angst.
lord of vapid footed biology.
lord of mutter and worry.
lord of bitch-
tied 'bout the kneecaps.
lord born from the imprint,
lord copied from carbon.
lord still independent
of who voices. lord of
unbroken
breads. lord who by bison, by blue, by
wrecked and half-noble knuckles.
oh lord it is for you
that i bleed a bad tartan.
it is for you
i dance a slow jig.
lord whom to holier
nothings were nowhere
never whispered,
genuflectously intoned,
the breath of the great
patella oh magnanimous sweet
unfulsome oh bloody oh
lord.
Wednesday, September 24, 2008
Sunday, September 07, 2008
celestial
the ridiculous arrangement of our bodies. books given on your birthday. how once in the backyard you dropped to your knees. took me there. a taffeta shift. spiderweb tights. that could have been us that rode to the stars. instead we never went anywhere. paved circuit from the bathroom to the bedroom. from the bathtub to the sink. we always want more of our powers. but someday we're done fighting evil. or good. love's fingers on the autoharp. the moon on the horizon. before the sadness of the stars. do i regret it? no. it's not a lie if you believe. what won me was the wisp. what held me i don't know.
Saturday, August 30, 2008
black coffee
when only the fire glows
twin dots dotted from a host of ill centuries (.)
where space and wistful longing launch
themselves wheel idly around the same
round hole, whole star swung round
my hands and knees, 1 can
ajax 1 coarse green
scrubbie blow
me a kiss, red tile and wooden stairwell
50 pounds of onions too tough
to die. kid
what came for you later only came
cause it could smell you, that same
raw stink bits black trailing
tongues around your gums, your weakness, your initials
hot knifed to
the trunk of the tree.
it loved you
through rubberized fingers
crouched round the rubberized
handle,
held wetly half past
midnight.
once it was
you and the footsteps, you
were all just the whisper
of leaves, he liked
that. "Comfort,"
he said. "Don't
you see?" I
didn't. I don't.
twin dots dotted from a host of ill centuries (.)
where space and wistful longing launch
themselves wheel idly around the same
round hole, whole star swung round
my hands and knees, 1 can
ajax 1 coarse green
scrubbie blow
me a kiss, red tile and wooden stairwell
50 pounds of onions too tough
to die. kid
what came for you later only came
cause it could smell you, that same
raw stink bits black trailing
tongues around your gums, your weakness, your initials
hot knifed to
the trunk of the tree.
it loved you
through rubberized fingers
crouched round the rubberized
handle,
held wetly half past
midnight.
once it was
you and the footsteps, you
were all just the whisper
of leaves, he liked
that. "Comfort,"
he said. "Don't
you see?" I
didn't. I don't.
Thursday, August 14, 2008
you want i want
you want for maleness
while i just want
for peopleness. we're
neither. i want
for dogs' eyes,
third prize,
a fast mist at night
or the lonely light
laid down
from open windows.
thrown sleeping
to the street,
complete,
discursive and brainless,
highlit and neat.
(oh lover
hold thy tongue.)
--
you want for maleness
i want for peopleness
we're neither
yeah we're neither
i want for dogs' eyes
third prize
oh brother don't believe her
yeah don't believe her
a fast mist
at night
a lonely light
laid down
from open windows
thrown sleeping
to the street,
complete,
where ever you will find me
brother you will find me
while i just want
for peopleness. we're
neither. i want
for dogs' eyes,
third prize,
a fast mist at night
or the lonely light
laid down
from open windows.
thrown sleeping
to the street,
complete,
discursive and brainless,
highlit and neat.
(oh lover
hold thy tongue.)
--
you want for maleness
i want for peopleness
we're neither
yeah we're neither
i want for dogs' eyes
third prize
oh brother don't believe her
yeah don't believe her
a fast mist
at night
a lonely light
laid down
from open windows
thrown sleeping
to the street,
complete,
where ever you will find me
brother you will find me
Wednesday, August 13, 2008
the small hours
A joyrider rip up Lockland.
It takes barely five minutes
for a precinct helicopter
to dip and swivel over lawns
and two opposing lines of cars
parked innocently snug to the sidewalk.
They haven't found him yet.
Every couple of minutes or so,
my blind soaks in outrageous light
and the helicopter hauls its drone
and feud all over my backyard.
There's a fan over my bed
that says similar things in summer:
adages, reproach and rhetoric.
I talk too much, give far too much away.
In mumbling my company, I reckon on
a twofold payoff: some echo;
being found out, consequence.
I lie low. Minutes swell.
He must be out there somewhere,
lights switched off, crouched and bundled,
foot within an inch of the get-go.
I pull the comforter up over my ears,
count to forty-two, then start over.
I'm trying, trying hard, to hold my breath.
by vona groarke
A joyrider rip up Lockland.
It takes barely five minutes
for a precinct helicopter
to dip and swivel over lawns
and two opposing lines of cars
parked innocently snug to the sidewalk.
They haven't found him yet.
Every couple of minutes or so,
my blind soaks in outrageous light
and the helicopter hauls its drone
and feud all over my backyard.
There's a fan over my bed
that says similar things in summer:
adages, reproach and rhetoric.
I talk too much, give far too much away.
In mumbling my company, I reckon on
a twofold payoff: some echo;
being found out, consequence.
I lie low. Minutes swell.
He must be out there somewhere,
lights switched off, crouched and bundled,
foot within an inch of the get-go.
I pull the comforter up over my ears,
count to forty-two, then start over.
I'm trying, trying hard, to hold my breath.
by vona groarke
Saturday, August 09, 2008
You can't feel it with your hands.
In your tooth tips,
lips,
wrenching the complaints like jagpipes
to your glasses, a broken tune.
And only across the room.
Amok we go to the morning bakery.
Amok I feel you below the blanket.
A teddy bear beneath your elbow
is no way to live.
The slug's slimy purpose, now compare:
favorable in singularity, but grand totaled
it's hardly worth the metrics.
My god, all that time punching the pillow.
Frumping and rosecheeks.
All that anger mistaken
for health.
A saran-wrap crumpled nose.
Who knows?
I sometimes have those thoughts.
A remarkable, unerring diligence.
But then we have sex and shortly thereafter,
I am free.
In your tooth tips,
lips,
wrenching the complaints like jagpipes
to your glasses, a broken tune.
And only across the room.
Amok we go to the morning bakery.
Amok I feel you below the blanket.
A teddy bear beneath your elbow
is no way to live.
The slug's slimy purpose, now compare:
favorable in singularity, but grand totaled
it's hardly worth the metrics.
My god, all that time punching the pillow.
Frumping and rosecheeks.
All that anger mistaken
for health.
A saran-wrap crumpled nose.
Who knows?
I sometimes have those thoughts.
A remarkable, unerring diligence.
But then we have sex and shortly thereafter,
I am free.
Sunday, July 27, 2008
grayday grayday
cheap symbol i'm here
talking nobility
while you wait with
a half-handled boning
knife, serape, cigars yes
it's taken me, is not well
belted cloaked hidden you
shouldn't look up the halo
of the moon. in other
worlds the saw
is the law, she will
wear a veil, she may
never see you. a hot
blooded holy, lent back
in strong wind mother
fucker i've seen you
i know you
three times alien
babies in the
plastic pitted
capsule.
artificial
life. ill-fitting
zipper. pathos
particularly mcglincy
you gherkin
i am. i am under
black kerchief mainsail,
the jar,
the man who played with
muddy waters plays how muddy
comes apart. this poem
has no idea
what it is.
this poem is still trying
to wake up.
it's a flower.
talking nobility
while you wait with
a half-handled boning
knife, serape, cigars yes
it's taken me, is not well
belted cloaked hidden you
shouldn't look up the halo
of the moon. in other
worlds the saw
is the law, she will
wear a veil, she may
never see you. a hot
blooded holy, lent back
in strong wind mother
fucker i've seen you
i know you
three times alien
babies in the
plastic pitted
capsule.
artificial
life. ill-fitting
zipper. pathos
particularly mcglincy
you gherkin
i am. i am under
black kerchief mainsail,
the jar,
the man who played with
muddy waters plays how muddy
comes apart. this poem
has no idea
what it is.
this poem is still trying
to wake up.
it's a flower.
Monday, July 14, 2008
reply in the sky
Your pictures are
very cool but they
are also so very very tiny
on the web page.
Awful, hideous, and old
is what we all become,
someday, just
like someday we will all
become babylike and pink,
also sweet and soft
as powder.
St. Paul is a twin
to Minneapolis, and Minneapolis
gave birth to the Replacements,
and I love the Replacements
from the top of my Westerberg
to the bottom of my Stinson.
Good luck
on the redeye
and on the mid west.
Three cheers
to the almost-rendered heart.
very cool but they
are also so very very tiny
on the web page.
Awful, hideous, and old
is what we all become,
someday, just
like someday we will all
become babylike and pink,
also sweet and soft
as powder.
St. Paul is a twin
to Minneapolis, and Minneapolis
gave birth to the Replacements,
and I love the Replacements
from the top of my Westerberg
to the bottom of my Stinson.
Good luck
on the redeye
and on the mid west.
Three cheers
to the almost-rendered heart.
Thursday, July 10, 2008
an evening in mongolia
Dean Young was sad and Russell
wasn't much better. It's true
we had little
to go on: a few
shaggy ponies, spears. When pressed,
which would you abandon? Usually
you toss them both
to the latest thundering
herd. If we all
walk an endless desert, why
so many poems
about flowers yet
so few about
hot feet? I guess
what I'm saying is
so what. I don't
care what you ordered
for dinner, even
when I get philosophical
about bicycle seats or
the seats that sit idly
upon them. Mostly
when I wander I
do it in the company
of monsters, carrying
the names of by-gone
women: Henrietta, Missie, napkins
folded in our monstrous
pockets. None
of us make comments on
the sand.
What a waste.
If you can't
remember whether you
brushed your teeth, what
are the chances you
actually did?
This is at least a
measure.
Of you,
as a person,
good night.
wasn't much better. It's true
we had little
to go on: a few
shaggy ponies, spears. When pressed,
which would you abandon? Usually
you toss them both
to the latest thundering
herd. If we all
walk an endless desert, why
so many poems
about flowers yet
so few about
hot feet? I guess
what I'm saying is
so what. I don't
care what you ordered
for dinner, even
when I get philosophical
about bicycle seats or
the seats that sit idly
upon them. Mostly
when I wander I
do it in the company
of monsters, carrying
the names of by-gone
women: Henrietta, Missie, napkins
folded in our monstrous
pockets. None
of us make comments on
the sand.
What a waste.
If you can't
remember whether you
brushed your teeth, what
are the chances you
actually did?
This is at least a
measure.
Of you,
as a person,
good night.
Monday, June 30, 2008
Saturday, June 28, 2008
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